Mary Wiles
ON LEAVE FOR 2ND SEMESTER, 2009
Teaching
- TAFS102 Contemporary World Cinema
- TAFS216 Early and Classical Cinema
- TAFS217 Popular and Art Film
- TAFS311 Cinema and Modernity
- TAFS406 Women/Theory/Film
Contact Details
Phone: +64 3 364 2987
Extn: 7296
mary.wiles@canterbury.ac.nz
Postal address:
Department Theatre and Film Studies,
University of Canterbury,
Private Bag 4800,
Christchurch,
New Zealand
Publications
"Narrating the Feminine Nation: The Coming-of-Age Girl in Contemporary New Zealand Cinema" in Youth Culture in Global Cinema. Ed. Timothy Shary and Alexandra Seibel. Austin: University of Texas Press, 2007.
"Sounding Out the Operatic in Jacques Rivette's Noroît" in Between Opera and Cinema. Ed. Rose M. Theresa and Jeongwon Joe. in Critical and Cultural Musicology Ser. Ed. Martha Felman. Chicago: Garland/Routledge Press, 2002. 199-222.
"Re-staging the Feminine in Jacques Rivette's Haut bas fragile" Studies in French Cinema Ed. Susan Hayward and Phil Powrie. Vol. 1 No. 2, 2001. 98-107.
"The Fascination of the Lesbian Fetish: A Perverse Possibility across the Body of Dorothy Allison's Bastard Out of Carolina" in Straight with a Twist: Queer Theory and the Subject of Heterosexuality. Ed. Calvin Thomas. Chicago: University of Illinois Press, 2000. 146-162.
Review of The Girl: Constructions of the Girl in Contemporary Fiction by Women Ed. Ruth O. Saxton. New York: St. Martins Press, in Modern Fiction Studies Vol. 46.2, Summer 2000. 564-67.
"French Folie: Memory and Madness in Buñuel's Belle de Jour" Paroles Gelées Special Issue Vol. 16.2 1998. 101-118.
"A Double Voice: The Dual Paternity of Querelle" in Postmodernism in the Cinema Ed. Cristina Degli-Esposti. New York: Berghahn Books, Fall 1998. 231-259.
"Mapping the Contours of Cyborg Space: The Feminine Ecology of Luc Besson's La Femme Nikita" Post Identity Vol. 1 No. 1, Fall 1997. 39-65.